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His song craft and energy shame most younger acts and most of his veteran peers.
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“Bob Mould and his crack-backing band attacked everything at full velocity, making it all sound like the work of a scrappy basement punk band determined to break through and conquer the world…Mould is on a hell of a run in both the studio and on the stage at the moment. “Mould had his amp cranked up loud and ripped more than a few sick leads when he wasn’t on the mic.” – LA RECORD There were two speeds –- fast and fastest -– as the bespectacled 55-year-old blended the blast-furnace intensity of hardcore with classic pop hooks.” – CHICAGO TRIBUNE His attack conjured a 10-car pileup of tones and overtones, an orchestra of reverberation. The notes poured out in thick, hyperspeed flurries. “The guitarist spun his bearish frame on one foot, as if being knocked around by the hurricane force of his solos. From headline sets at packed clubs to a recent main stage set before tens of thousands at Riot Fest Chicago, critical and popular response to Bob’s recent live shows has consistently matched the energy and vitality put forth on each and every performance:
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On November 5th, Bob Mould will be kicking off his last run of tour dates on what has been a rip-roaring series of shows in support of his album Patch The Sky (Merge). Sessions have been slated at Tiny Telephone in Oakland and Different Fur in San Francisco in October, marking the first time Bob has served a producer for a fellow artist since his work with Vic Chesnutt and Verbow more than 20 years ago.ġ0/7/17 – San Bernardino, CA – Cal Jam 17ġ0/8/17 – San Francisco, CA – Hardly Strictly Bluegrass 2017ġ0/20/17 – Portland, OR – Doug Fir Loungeġ0/22/17 – Vancouver, BC, Canada – Rickshaw TheatreīOB MOULD TEARS UP LAST CALL WITH CARSON DALY, For further information, go to įinally, Bob has signed on to produce the new album for Fury Things, the Minneapolis rock trio who supported Bob’s live shows in 20.
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Written by Walter Biggins and Daniel Couch, 33 1/3: Workbook will be published September 7 by Bloomsbury and will see Workbook added to the storied 33 1/13 bibliography alongside the likes of The Smiths’ Meat Is Murder, The Jimi Hendrix Experience’s Electric Ladyland, The Beatles’ Let It Be, The Velvet Underground & Nico, Radiohead’s OK Computer, Joy Division’s Unknown Pleasures and The Rolling Stones’ Exile On Main Street to name but a few.
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Bob and the band commemorated Patch The Sky’s release with an April 25 debut performance on Late Show with Stephen Colbert, offering up not only a fiery rendition of “The End Of Things” but also a gratis session of backstage guitar lessons: Ī month to the day before Cal Jam kicks off the October dates, Bob’s classic 1989 solo debut Workbook will be the subject of the latest in the prestigious 33 1/13 book series. Hailed upon its release as “conjuring the ecstatic rage of his earlier bands for a grim new era” in a four-star ROLLING STONE review and as “tight, sharp musings on aging, fizzled relationships and death that are melodic enough to sound like songs of victory” by THE NEW YORK TIMES, Patch The Sky completed a trilogy including its 2014 predecessor Beauty & Ruin and 2012’s Silver Age. The newly announced October dates are the last scheduled appearances on a marathon run touched off with the March 2016 release of Patch The Sky on Merge Records. Bob will round out October with a trio of solo shows in the Pacific Northwest: October 20 at Doug Fir in Portland, October 21 at The Crocodile in Seattle, and October 22 at the Rickshaw Theater in Vancouver, BC. That same weekend will see Bob and band heading to Golden Gate Park for an October 8 set at Hardly Strictly Bluegrass 2017. The ever tireless Bob Mould has added a handful of Pacific Northwest headline dates and an appearance at the Hardly Strictly Bluegrass festival to his October touring calendar. CAL JAM 17 & HEADLINE DATES THROUGH OCTOBERģ3 1/3: WORKBOOK TO BE PUBLISHED SEPTEMBER 7 BY BLOOMSBURY